Biography of Bashkirov

The biography of the photograph was born on April 17, Kirovabad of the Azerbaijan SSR. Artist of the opera, chamber singer lyric-collateral soprano, teacher. She graduated from the Kazan State Conservatory in years - soloist of the Tatar State Opera and Ballet Theater. When, after graduating from the Stavropol Music School, Larisa Bashkirova appeared in the Kazan Conservatory, her best teachers took Larisa under their wing - this is.

Lazko Vokala class and professor Z. Bayrasheva Chamber singing. The singer of a pronounced creative personality and natural stage charm, L. Bashkirova from the first steps on the opera stage managed to win the sympathies of the audience - the images created by her found a lively response and heart interest. For more than thirty years, L. Bashkirova was one of the leading soloists of the Opera House.

Jalila, having debuted in one of the most difficult and psychological planes in the vocal and psychological plan-the Marfa Party “Tsar’s Bride” N. Many and many parties of the lyric-collateral repertoire sang L. Bashkirova over the years of stage activity. They include the works of classical, Russian, foreign, Soviet opera repertoire. Tatyana in Evgenia Onegin P. Tchaikovsky, Antonid in Ivan Susanin M.

Puchchini, Leila in the “Pearl seekers” by J. Bizet - one listing of the parties she had been taken and would testify to extraordinary creative baggage. The holder of the beautiful lyrical-column soprano of the silver timbre, the young singer in each subsequent role found the necessary colors. A feature of L. Bashkirova’s talent was the lack of schematism, “speculation”. It seemed that the artist did not differ in the thoroughness of the study of the role, which sometimes annoyed strict directors.

It was improvisation that gave the heroines of L. Bashkirova the attractiveness inherent only to them. It had to be heard that for the entire period of work on the production of the performance “Chio-Chio-San” the actress never “brought” this image to the end. The immediacy and some exalting, which is characteristic of the “real” Larisa Bashkirova, allowed her to intuitively find the right decision in working on the party of this peculiar “non -European” heroine.

The inner flair helped the singer fully reveal the poetry and tenderness of the female soul embodied in a little Japanese. Geisha Butterflya forever remains the favorite role of L. at the beginning of the year for the first time in the history of the theater, the opera of Mozart Don Juan was set. But she truly captured and captivated musically gifted performers.

Cantor continues: “Young R. Miftakhov and L. Bashkirova, who had already advanced at this time on the first roles, perfectly embodied the complex and deep image of Donna Anna. The ardent and passionate L. Bashkirova, breathing the noble dignity of R. Miftakhov - both of them conquered with fresh bright voices, an expressive stage appearance. " The diversity of the characters of the heroines enriched the actress with an invaluable experience, helped to hone skills.

Her Rosine “Seville Barber” was light and relaxed, in the parties of Verdiev’s heroines the genuine passion and pain of Gildo - “Rigoletto”, Violett - “Traviata”, Leonor - “Trubadur” sounded. The critic wrote about Violetta-Bashkirova: “Possessing a flight, soft timbre voice, musicality and warmth, she was able to convey the evolution of the image, feelings experienced by her heroine; From a frivolous, careless creature, she degenerates into a deeply loving woman ...

”About the performance on the stage of the Rostov Theater on July 18 In July, the author of the article in the Tula newspaper Kommunar notes: “The dramatic image of a great impressive force creates L. Bashkirov in the party of Michaela. Remarkable timbre color, excellent acting data - everything contributes to a deep comprehension of the girl’s internal state, capable of self -sacrifice for the sake of her dear person ...

”Two years after the premiere of the Monooper“ Human Voice ”F. Saifullin, the past herself a wonderful singer, so appreciated the work in this play by L. Bashkirova, she has a great voice, she is a good dramatic dramatic dramatic dramatic dramatic.

The actress, and all those present at the premiere were able to appreciate it ”In April, L. Bashkirova celebrates the twenty -five of her creative activity on the stage of the Tatar Opera and Ballet Theater. It is no accident that for the benefit, the singer chooses the play “Snow Maiden”, in which he plays the dramatic role of Kupava. The newspaper “Soviet Tataria” writes: “This image ...

turned out to be deep and strong ... Bashkirova’s voice is fresh, unusually beautiful, it delights as increasing vocal and acting skills. It is in a constant creative search ”Judging by the notes given, you might think that the singer got or succeeded only in tragic characters. However, the acting range L. Bashchkirova allows her to no less successfully perform in classical and modern operettes, musical comedies and musicals.

These are the role of Zinochka in the “Sevastopol Waltz” by K. Listov, Arsen in the “Gypsy Baron” by I. Strauss, Violetta in the “Fialka Montmartra” I.Kalman and others. The lessons obtained in the chamber class of Professor Bayrashva, high vocal skills, which was polished during work with opera conductors, contributed to the successful concert activity of L.

The concert repertoire helps to expand the musical range of the singer and gain a wide range of students. The interests of L. Bashkirova are not limited to classics here - the repertoire list of her concert programs includes composers of different eras and peoples, but never looks “motley”, they are united by the integrity of the singer’s performing style.

Not only the unique voice of the singer, who for 30 years sounded triumphantly from the stage of her native opera Theater, not only indefatigable character and greed for work not a single production in the extensive repertoire of the theater did without L. Bashkirova to make this charming woman a unique person - Larisa Georgievna, having completed her opera career in a year in the choral capella for some time.

At the same time, boys continues to remain in the theater in a demanded person: he works in the theater’s choir, then he goes to the position of inspector of the facial ensemble in the year, which means to stay in a completely different capacity. Here is what is written in one of the characteristics provided to the Ministry of Culture of the Republic of Tatarstan the leadership of the theater in the year: “In this position, it has established itself as an excellent organizer.

Conducting rehearsals and performances with the participation of the extras - the task is very difficult. But thanks to L. Bashkirova, mass scenes always pass at a high artistic level. She invites the most suitable for this performance in the “texture” and artistic data of statists, which, of course, contributes to the overall success of the performance.

” Huge stage experience and creative instinct never summarize the mistress of the inspector. Ramsia Taktash.