Biography of Elvira Ganieva

Venus Ganiev about life without a husband: “After the death of Kamil, inexplicable things took place ...” Read us in Telegram, People's Artist of Russia and Tatarstan Venus Ganiev in an interview with Tatar-Inform, shared memories of her husband, spoke about the achievements of students and her attitude to the modern Tatar pop. Without exaggeration, you can call the Prime Minister of our Opera and Ballet Theater, at the same time you showed yourself as a talented dramatic actress.

How did you manage to cover different areas of musical creativity like this and succeed everywhere? Zhiganova, they noticed acting abilities and vocal data in me and accepted into a group of interns at the Opera and Ballet Theater. My whole life, prestigious titles are associated with the highest, noble opera art. I am endlessly happy with this. As a leading soloist, she performed the party corresponding to her voice.

I was destined to perform not only on the Kazan stage, but also on the opera scrapers of many foreign countries.

From the moment 40 years ago I crossed the threshold of the opera Theater, I have been serving in the theater to this day. At the same time, I wanted to master song genres - romances, retro -composations, pop songs, show the possibilities of voice. And in this area I managed to achieve success. These songs brought me fame. I have a lot of songs. The viewer fell in love with them.

What helped you overcome them? As far as I know, and you did not immediately get to the conservatory in Kazan, then the conservatory - in both cases, my studies were not easy for me. As a graduate of the Tatar school, I experienced difficulties in mastering some subjects in Russian - stories, solfeggio. They even wanted to expel me to the school after the first year, because in history I had “two”, Solfezhio passed her poorly.

But after my first year my mother died. Perhaps regretting me, they allowed me to retake exams in the fall. I always remembered my mother’s words that she should become a singer, that she believes in me. And I gave all my strength to my studies. She graduated from the school with good results and decided to enter the conservatory. But, unfortunately, here, too, no one was waiting for me with open arms.

In the exam, I sang the first aria from the opera Altynchech. But, apparently, she tried too hard, so she gave a rooster - she fanned on the highest note. They set the "two". I was not in the list of those who received. When she came to pick up the documents, Nazib Zhiganova met in the corridor. He was present during the exam, heard my performance. He asked: “How are the successes?

He was very surprised. He gathered all the teachers, told them that he considered me capable and promising, and was able to persuade them to take me. When I saw my future, when I was taken to the conservatory, I was so glad - as if it flew into space! The abjice Absi did not have to blush for me. I studied diligently. You won’t confuse Salavat with anyone.

It is very important for the singer or singer to find her beautiful timbre, sound. To do this, you need to study. In order to understand all the subtleties, the method of profession of a singer, study is in the first place. If someone thinks that the profession of the singer is easy, then they are mistaken. It is very difficult. If you want to take your place in the soul of people, become your favorite singer or singer, you must find your timbre and make every effort to give the song a perfect sound.

Many have a voice, we have a singing people, musical people. It’s also good to sing at a table for guests at a table, however, in order to become a singer to really maintain and develop this talent for nature, you must find your uniqueness, become not like anyone. Learning, searching, finding! .. The love of the people is, first of all, the result of great work by the artist. Now young people are actively striving for the stage - apparently, they think that artists pay a lot and this is easy money, they sing on banquets.

This is a very big mistake. I believe that the profession of the singer is one of the most difficult, I would equalize her with Shakhtar’s work, singing is how to get gold ore. If they think that the hearts of people will instantly gain in this profession, then they are very mistaken. There you have to work in the sweat of the face. Among the graduates of the conservatory were the owners of the natural beautiful timbre, but only at the expense of Temra it is impossible to become an outstanding performer.

It is not enough to have a professional education, you need to have many other qualities. Even general education helps you expand the horizons, aesthetics, philosophy raising a personality, as a result, all this makes you a comprehensive singer. The singer must be formed. How do you assess the level of our stage from the point of view of the teacher, which of the young performers do you consider especially promising?

Personally, I pay attention to those who correctly set up semantic accents in the text of the song, artistically sings, holds professionally on stage, dressed beautifully and tastefully. But there are few of them. Now there are a lot of those who sing in internal intuition, who do not have a professional education. They are especially interesting to the people. They involve the viewer in their wave, find a very subtle approach, and this achieve great success.There are artists who, without outstanding vocal data, keep the viewer at the expense of an interestingly set number: choreography, musicians - all of them together create an atmosphere of the concert, create a show.

Not every artist is capable of this, here we need a special ingenuity in this case, indeed, “the king makes a retinue” ... If I say that today we have conjunctural singers, let me not be offended by me. I mean those who, succumbing to the influence of time, using a certain rhythm, sings practically no sense, greatly reducing taste, a sense of beauty in people, pop. The desire to entertain, to “download” the listener on a certain wave, warm up the viewer, shouting some words during the performance of the song comes to the first place.

Some singers are trying to behave in a simple way, Panibratic, starting conversations during the concert. True, this helps them fill the halls, but such a familiar attitude towards the viewer, it seems to me, is unacceptable. After all, we must promote high art, an artistic word. And now there is no artistic word. And now at concerts, the viewer is entertained by jokes and ridiculous cases from life, but for this there are individual artists of the humorous genre.

I believe that the singers should not laugh people, but should make a person think to some extent with their songs, reconsider his views, thoughts. The singer’s voice should bring true pleasure to the listener, and after the concert a person must return home, spiritually cleansed, inspired, in a raised mood. I also want to say about the stage outfits of our singers. It is very difficult for some to find their image correctly.

This also applies to hairstyles in the salons many beautiful, stylish concert dresses, but some singers do not know how to choose them. The outfit must correspond to your image and style of your song. There is not enough taste. You tell some vulgar joke, and your dress is like that of Princess Diana, the queen's dress should complement your image and convey it to the viewer.

For 25 years, our university has brought up a large number of pop artists. They are our pride. I have a lot of students that I can be proud of. I have thirty of them. Now they are working in the Kazan Philharmonic, the Tatar State Ensemble of Song and Dance, in the ensemble under the leadership of Aidar Fayzrahmanov, the ensemble "Burmyanka", the Opera and Ballet Theater of Musa Jalil and in other groups, in music colleges, music schools.

Many have already been awarded the honorary titles of Honored, People's Artist. There are a lot of laureates of international competitions among them. Mostly we are really in love with music, young, capable guys and girls who are ready to serve as art. Already during the entrance exams we see whether a person sings or sincerely. A person can sing with lemon balm, but not reach the heart of the listener.

There are many of them: lemon balmes are inserted into each word, they don’t have to, they want to surprise it. But this is wrong. I would even say that this is the lowest level of professionalism. When you sing a song with phrases, sentences, you can’t insert lemonges into every word. It is necessary to correctly convey the phrase in the semantic plan to the listener, it should not be separated.

If the proposal to divide and insert lemon balm, meaning, the message is lost.