Razenkov Philip Biography

At the main Pro life, Philip Rades: The Musical Theater is able to correctly affect people by Philip Rades: the music theater is able to correctly affect people on December 14, Dmitry Bertman's student in GITIS, the winner of the Russian theater prize “Golden Mask”, Philip Raznovs have been living in the “gold -massive” mode - that neither a performance, luck. The secretaries of Melpomena allowed the rumor that he comprehended the secret of King Midas, who turned everything that he touched into gold.

Perhaps this is true - the next Razenkovsky musical "Decembrists" claims to be a "golden mask" in six nominations, including the directorial. Not so long ago, the Summer Maestro recruiting youthful energy and excitement accepted a new challenge. Having left the post of chief director of the Bashkir State Opera and Ballet Theater, he took the position of Khudruk in the Sverdlovsk Academic Museum of Music Comedia.

In the same way, at one time, he left for Ufa from his native Izhevsk, when an affair with the Opera and Ballet Theater UR ended. It's time to take a new height-Razenkov still has something to tell his viewer. Yes, and our reader too. Philip Rades Farewell to the opera can draw a very beautiful picture, put it in an elite picture gallery, where the aesthetes-critics will fit and admire: “Ah, how subtly he felt everything that technique used!

But if ordinary people do not feel and do not understand these “subtleties”, then this picture is a muffled price, this is “dead” art. Art, and theater in particular, should cause feelings. When the theater rises in a pose, stating that the opera is a complex art and not for everyone, it scares away a wide viewer. With this position you can stay with empty halls. You need to fight for the viewer.

Therefore, I am for the opera theater to be modern, alive and affordable for all people. I think the opera is inevitably awaiting change. Who will be interested in the classic Verdi in thirty years? Maybe units. No one knows. I and Kalashnikov, I have a humor with humor and his ambitions, while I have very large ones - and so it was always. My parents moved to Izhevsk when I was seven years old.

Seeing how famous the legendary designer Kalashnikov is, I told my mother that I wanted to become as famous as he was, and cried. The Polish joke internship at the Bolshoi Theater in Warsaw at the production of Penderetsky is my only experience in working abroad. However, work experience is said loudly, if I had not been in this project and they invited anyone else, nothing would have changed.

An international team of assistants gathered at the Bolshoi Theater - with me were an Englishman and Pole. By the way, the good beginning of the joke: the Englishman, Pole and Russian gathered ... About the director's curse I would like to watch my performances and have fun. But this, unfortunately, does not happen. In the eyes of the director, something will definitely be wrong.

Here, five seconds later, they gave the transition of light, this artist today stood up with the wrong leg ... The viewer looks and does not notice anything, but I see everything very well. The curse of the director is that he cannot see the perfect performance, he does not like something all the time. Maybe there are directors who manage to abstract from this and not notice anything, but I do it very rarely.

About vanity, someone believes that he is a cool musician, but there is Michael Jackson-and a point. Or Bitles. I think that if you are doing something, be kind to put the highest ideals in front of you and remember them. This helps a creative person to keep everything that adversely affects the profession: pride, vanity, selfishness. They still go, a minimum of decorations - three screens with a rug.

We plunged with artists to Pazik and drove around the villages. I wrote plays, engaged in sketches of costumes, chose music. I also went to the stage, replacing one or another actor. Only in the play “The Cat in Boots” did he outplayed all the roles, except for one - the cat in the boots was played by a miniature girl, and with all my desire it would not be possible to get into her costume.

I understood that no professional critic would see these performances and they would not receive any awards. But there was the most important critic - a child to whom you should give a holiday. The correct attitude to the profession was laid precisely then. To be honest in front of yourself, in front of the viewer - perhaps this is the main recipe for success. The photo from the play "Decembrists" about the "Golden Mask" I dreamed of this award in my student years.

Then the Golden Mask seemed something very significant, but distant, from the category of science fiction, and then once-and this happened. First, the nomination of the play “Orleans Virgin”, followed by the nomination of the musical “Nameless Star” and, finally, “Mask” with “Roman holidays”. The reward is always pleasant, but not the reward itself is important here, but the correct attitude towards it.

For any creative person, this is a check for vanity that must be withstanded. How? Take everything calmly and with humor. As a sign of gratitude, I gave my directorial “mask” to my mother. I think this is a reward.If not for her, there would have been nothing. Prokofiev and “brewing” looking back, I understand that everything in my life happened as it should have happened.

This does not say that everything was exactly, my path was quite winding, everything was built in contrasts. I could get a good pianist from me - I graduated from the piano music school, I liked playing Prokofiev and Rachmaninov. In parallel, I played in terrible rock and punk rock groups, one of which bore the excellent name “brew”. My dad is the conductor of the opera Theater, but he also played in adolescence in different rock groups.

About Shevchuk, I have long wanted to make a play on rock music. I knew the songs of Shevchuk, but I was not a fan of the group. He began to plunge into creativity, study the biography and recognized the story of the love of Yuri Shevchuk and his first wife Elmira, who had passed away early. All this inspired me to the play about a musician that defeats the power of love, the country in which we live, and about you and me, of course.

Initially, I planned to put a performance in Ufa, but over time it became clear that this material was still not for the opera theater, but the musical one. The idea was realized in the Novosibirsk Muzter. And Shevchuk ... What is he on stage, the same in life - direct, honest, simple and without any show -off. Photo by Dmitry Dubinsky about books by a person is such a strange creature that in his life manages negligently little compared to what he wants to do.

I catastrophically lack time for books, and this is a little harassed. I read books only in a paper, “touching” form, for me this is a fundamental moment - I need tactile contact. The rustle of pages, the smell of printed paint, if the book is new, a pencil in the hand that I make notes - there are a lot of such subtle moments that we often do not think about when communicating with the book.

The choice of a book is always a separate adventure. It happens that I want to read a specific book, and I know that she is in Izhevsk, at home in mom, stands on a shelf. I will come, take her, shake off dust, talk to her: finally we met again. I’ll start reading, and perhaps there will already be my notes with a pencil, made ten years ago. I have a lot of such books-close friends with whom we went a very, very long way.

It also happens like this. You go to the bookstore-and suddenly some book looks at you and says: buy me! The fate of such acquisitions can then be different. Sometimes you give friends as you know, the best gift is a book, sometimes it lies at home and is waiting in the wings. When I staged a Bokkaccio play, I took the volume of Decameron from the home library. I remember this book since childhood, when I loved to hold it in my hands, but this was limited.

The institute also did not work out - opened and closed. And then he finally took it and read all, from beginning to end, with feeling, really. About the province I was born in Yekaterinburg, and grew up in Izhevsk. I am a province of province and I love the province, I am forever tied to these places with my soul. A couple of years ago, when I still worked in Bashkiria, I thought that if I move from Ufa somewhere, it would be Yekaterinburg or St.

Petersburg. And so it happened. Mom and brother still live in Izhevsk, so I still connects me a lot with this city. Having traveled around the country, I can say with confidence that Izhevsk has his own charisma, his face, but he needs changes, and culturally, including. When the opportunity arises, I would like to “stir up” in Izhevsk. Muztera as a place of power, I am convinced that humanity is waiting for global changes, they have already begun.

Pandemia is only part of the inevitable changes and lessons of fate. And I believe that the musical theater can be the place of power that will be able to influence people and give them the right guidelines and faith in a person.