Biography A Pavlova

The latest news biography of the great art of Russian ballet cannot be imagined without the legendary dancer Anna Pavlova. For a decade, the prima of the Mariinsky Theater performed on the Russian stage, and then became the successor of the traditions of the national school, who introduced the world to the works of the outstanding choreographer Mikhail Fokin. Anna Pavlova throughout her life Pavlova gave a dance more than any of his contemporaries.

The plastic monologue “Dying Swan” for many years has become the hallmark of the ballerina and is still considered an unsurpassed and unique phenomenon of Russian stage art. Childhood and youth The story of the birth of Anna Matveevna Pavlova is mysterious and ambiguous. According to the official notes, the future ballerina was born on February 12 in the Military Hospital of St.

Petersburg, and the soldiers of the Preobrazhensky regiment Matvey Pavlovich Pavlov and a laundress named Lyubov Fedorovna were considered her parents. However, there were rumors that Anna was an illegal daughter of a banker of Jewish nationality, who did not recognize paternity due to a high position in society. In childhood, Anna Pavlova was born premature and painful, the girl spent the first years of her life with her mother in St.

Petersburg, and then moved to the village of Lipo, to the house of the grandmother's grandmother.

Staying in the fresh northern air strengthened the health of Ani, and Lyubov Fedorovna began to take her daughter with her to St. Petersburg. In one of these visits, Pavlova got to the theater for the ballet "Sleeping Beauty". Being in a bed with other children, the girl enthusiastically caught every movement of the performers and at the end of the performance said that she wanted to dance the same way as Princess Aurora.

Young Anna Pavlova in a ballet school, mother considered that her daughter’s height and weight are quite suitable for choreography, and brought an 8-year-old girl to an entrance exam in a ballet school. It was not possible to do the first time, but Anya continued to try, and in the year she was finally accepted. From the first days of study, Pavlova tried to become the best in the classroom.

Training at 8 hours a day, she achieved participation in a performance in front of the royal family, and 7 years later she graduated from the Imperial Theater School with honors. In the year, Pavlov’s ballet was admitted to the troupe of the Mariinsky Theater and entrusted small parties at once in several productions of the famous choreographer Marius Petip, among which were “my mother -in -law” and “Kamargo”.

Soon, the name of Anna appeared on the posters among other performers of Pa-de de de de de de and de-trua in the performances “Korsar” and “Pakhita”, and then a talented dancer found the title of ballerina and a constant stage pair. Ballerina Anna Pavlova Mikhail Fokin repeatedly acted as a duet with Pavlova and, becoming a choreographer, continued this fruitful cooperation, putting on the partner such masterpieces of Russian ballet as the dance monologue “The Dying Swan” and the divertissiment “Ginogradnaya Vine”.

Thanks to these dances, Anna was recognized and was constantly traveling from the year. She participated in the production of Sylphid and Cleopatra, which took place as part of the Russian Seasons in France, then toured with a project for the cities of Germany, Belgium, England and other European countries. The poster with a portrait of Pavlova’s artist Valentin Serov soon after the debut became the emblem of the festival, organized by the famous entrepreneur Sergei Diaghilev.

The portrait of Anna Pavlova Valentin Serov in the year of the ballerina left the Mariinka and has since entered into independent contracts for separate performances. Anna performed the main party in Giseli in London and danced a month on the stage of the New York Theater of the Metropolitan Opera Theater. In parallel with the tour of Pavlov, with the help of the American dancer Adolf Bolm, she organized her own troupe, the repertoire of which included the ballets “Magic Flute” by Wolfgang Mozart, “The Kavalia of the Cavalry” Ivan Armsheimer and the 2nd Act of “Lebedin Lake” Peter Tchaikovsky.

Anna Pavlova - “Dying Swan” later, Prima began to put her own numbers, which were successful, comparable to “Lebed” and “The Dance of the Seven Cover” Fokin. It is interesting that the ballerina inspired not only colleagues and ballet connoisseurs, but also cooking. In the name of Pavlova, cake manufacturers called the air dessert, the recipe of which included a meringue resembling a pack, and fresh fruits.

In the beginning of the 10s, the glory of Anna and her team went beyond the European continent, when the Russian-American producer organized touring in the United States, and then agreed on performances in India. Anna Pavlova in Sydney after that Pavlova became a living legend that they wanted to see in all countries of the world. In the years, the star had the best scenes of Japan, China, Egypt, Australia and New Zealand with her presence.

During travel, the ballerina attended dance schools and evaluated the skill of students. Thanks to Anna, the famous actress, ballerina and choreographer Tamara Tumanova got a chance to break into a large stage and make a career in the Russian ballet troupe in Monte Carlo.Anna Pavlova’s personal life, who has shone the best theaters in the world on the stage for decades, was a deeply unhappy person in his personal life.

The beginning ballerina avoided fans who insisted on a date and presented expensive gifts. However, colleagues in the troupe sometimes saw a girl in the company of a wealthy aristocrat Viktor Dandre. Anna Pavlova and Viktor Dandra, an educated nobleman, carried away by art, soon melted the heart of an impregnable beauty and earned the right to become her benefactor and patron. The high position of the Senate Advisor did not allow new relations to become serious.

The young rake rented a ballerina apartment with a dance hall in the center of St. Petersburg in exchange for the obligation to accompany it in society. Pavlova felt sympathy for Victor, but deep down she understood that she would never become the wife of the representative of the Higher Sveta. Therefore, the ballerina abandoned a chic life and left the patron, preferring freedom to the golden cage.

At that moment, when Anna suffered most of all from loneliness, Mikhail Fokin, a director of the famous dance “Dying Swan”, appeared in her life. The choreographer breathed new forces into a desperate star and became one of Pavlova's few loved ones. Anna Pavlova and Mikhail Fokin finally recovered the “Mariinsk”, foreign tour helped, during which she met the French composer Camille Saint-Sans and met with the great actor of the silent cinema Charlie Chaplin.

With the latter, Pavlova began a platonic novel, which grew into a devoted friendship, captured in archival photographs. When the ballerina received world fame and became a rich woman, she settled abroad, but did not stop dreaming of simple human happiness. Her thoughts indomibly returned to Viktor Dandre left in their homeland. Anna Pavlova and Charlie Chaplin at the time when Sergey Diaghilev founded the Russian dance Theater in Paris, the nobleman was in a difficult financial situation and, unable to pay debts, ended up in prison.

Upon learning of the troubles of the former fan, Pavlova broke off relations with many years of colleagues and signed a profitable contract with representatives of the Braff foreign agency. Having earned the necessary amount of money, the ballerina paid Dandra’s debts and, deciding that she could not live without this person, wrote a former aristocrat to Paris.

Victor arrived at the first call of Pavlova and, according to some sources, secretly married her in the year. Anna Pavlova and Viktor Dandre Pavlova bought a luxurious estate in the UK and organized her own troupe, becoming the owner of the Chamber Theater in London. The husband performed all the duties on the house, so that Anna could not take care of anything and devote herself to creativity.

However, over time, the feelings of the ballerina to Dandra began to fade away: she arranged scandals, beat dishes and cried. Victor reacted to hysterics calmly, because he sincerely thanked Anna. Instead of getting away from a psychologically unstable wife, he helped in organizational matters and was engaged in hiring and dismissal of artists. So the couple lived together until the unexpected death of Pavlova in the year.

The death of Pavlov, who became the property of the world, throughout his life wanted to return and dance in his homeland. However, fate was not pleased that the ballerina's dream was fulfilled. In January, Anna went on tour to the Hague and, having got off the train, felt like an unhealthy. It turned out at the hotel that the Russian star caught a cold and, according to colleagues, suffered from the fall of the Coffra, which happened during the sharp braking of the composition.

Anna Pavlova, who arrived in time, found a liquid in the lungs of the patient and advised the operation urgently. Hoping to dispel suspicions, the husband of the ballerina invited the personal doctor of the Dutch queen, who agreed with the diagnosis and confirmed the need for surgical intervention. As a result, Pavlova was put a drainage tube, but the time was lost. The ballerina lost consciousness and woke up only once to look at the stage costume of a dying swan.

The grave of Anna Pavlova Pavlova died of pleurisy on January 23 of the year, and her departure became a beautiful legend, which has moved numerous fans. Over time, the attending physician and Victor Dandre told the story of the death of the Great Ballerina in a different way, but it was not important. The main thing was that the world lost the legendary “swan” and would never see him on stage again.

After the tragedy, fans and the public insisted that Pavlov should be buried in the Pere Lashez cemetery next to the grave of another famous dancer Maria Taloni. However, the husband followed the performance of the last will of the ballerina, who wanted to be cremated according to one of the ancient Indian rites. Memory Death Pavlova has become a tragedy for humanity.

Until today, many famous dancers and choreographers devote the great Russian example. Documentary film "Anna Pavlova.More than love ”The image of Anna is immortalized in the biography of the Moldavian director Emil Lotyan, and numerous books of art historians and choreographers of Vera Krasovskaya and Andrei Sokolov-Kaminsky.