Sinkovsky biography

It looks like this is really true. Dmitry Sinkovsky has three outstanding abilities recognized throughout the world, he is a virtuoso violinist, a skilled conductor and a unique counterthent. Together with the Australian Brandenburg Orchestra, Dmitry will give concerts in three Australian cities, and I am sure that he will conquer the audience in Sydney, Melbourne and Brisbene.

Literally in the first hours of the musician in Australia, we managed to meet him and talk. How did it all begin? They asked me there: what I want to play, what I want to do, and I replied that it was very interesting to learn how to play a flute or violin. They looked at me - a little boy - and said that for a flute I still need to wait, but for a violin hands are perfect.

To play the violin, not only there should be good hearing and musicality, but a certain structure of the palm, the structure of the fingers are important. These parameters, although not mandatory, are usually taken into account when choosing a musical direction. I heard it is quite unusual. No one, in my opinion, can surpass old Italian masters in the art of creating tools.

They have excellent everything: technologies, methods, even the quality of the tree. Technologies at that time were transmitted from father to son and it was not impossible to “finish the courses” and learn how to make tools.

I’m not a master to understand this strongly, but as a performer, I can distinguish an old instrument from a new, on old residential strings, I can distinguish a completely different way. My question of the uniqueness of Contranto, compared to other votes, receives not only a detailed answer, but also a short musical master class from Dmitry Sinkovsky:-the counterthent is not particularly different from other votes; The technique of singing is the same and united for soprano, mezzo-soprano, tenor, content, bass and baritone.

Voices are distinguished by their transition notes, Passajio in Italian. Transition notes, that is, a change in registers, are in different places of the voice apparatus for these voices, and the voices, replacing the registers can be changed. My natural voice is a tenor, but through the transition, I can sing a conteenor. The closing of the ligaments with different voices varies a little: with folding singing, for example, you close the upper part of the ligaments.

At this moment, Dmitry begins to sing and demonstrate the ability of the voice, like a living musical instrument, to change saturation, it becomes louder, then quieter, roll from one register to another, like waves. The breathing system, resonance, everything is exactly the same for any of the vote. Just inside, feelings, a little different close. It all depends on the hearing how you feel the sound, how you imagine it, imagine.

Maybe because the voice always very sincerely conveys the essence of man, his soul. When a person sings, he cannot lie, he cannot deceive. Although, he can play, but this is another. In any case, sincerity should be in vocal and instrumental performance, but the tool, one way or another, always creates a visual barrier between the listener and the performer.

After all, when I sing, I always look in the hall, sing for the hall, and when I play the violin - I seem to be “in the house”, I only look at it. What is Baroque and historical music? Why did the choice fall precisely for these directions? The Baroque language is divided into a large number of groups, each country has its own baroque. Each has different execution, different mentality.

To take German or Italian, for example, they are absolutely opposite to each other and everyone will insist on the correctness of their own. Baroque is one of the layers of classical music, this is what I like to perform. Now it is fashionable to divide people by "cells", this one is engaged in only one, he is only different in the music market is also noticeable.

I have a classic education, and I perform all the music, including romantic; I do not share myself, I do not separate from others, I do not say that I am different. It just so happened that I tied my life with the performance of historical music, Baroque. This era, if we talk about instrumental music, brought us a huge legacy: only for a violin there you can find about a hundred different concerts.

I did not choose this direction on the principle of “few people play baroque, so let's play it” - no; It affected me purely empirically: I have goosebumps when I perform or listen to Baroque. All that we do in life should occur at the call of the heart, does not always happen, but it should, in any case. So I chose Baroque because I fell in love with him. Abroad, probably, the music market is probably larger and better developed.

Although I must say that today Moscow and St. Petersburg are very actively developing to Perm the native city of the author of the article, approx. Am I came several times, talked with Theodor Custezis and Mark de Moni to organize something interesting. I give a lot of concerts in Europe, very attached to the Balkans: I started his career for the conductor there, studied at the Academy of Music in Zagreb.I also conduct a lot in Croatia, in the symphony orchestra of the oak tree.

For a long time he began to come to America, and now also to Australia. The same Russia, throughout its history, gave the world several dozen illustrious names, and Australia remains in the shade so far. What, in your opinion, is the cause of such an imbalance? Also, we just have more people pass through a music school, hence a large number of composers. I do not take Australia to judge, I do not know this country so good, but if you take musicians, performers, there are many talented world -class people.

I also collaborate with various organizations, for example, with the Symphony Orchestra of Sittle. There, as a conductor in a residence for the next season, I will do all projects with baroque music. There are several more musicians with whom I constantly work, for example, the Swiss lutane Luca Pianca of Italian origin and the famous Swiss singer Marie-Claude Chappuis. A series of concerts of Concerto Grosso Locatelli, which will be held from August 26 to 8, although Dmitry will demonstrate all three musical talents, but will still be more concentrated on the instrumental part and conducting.

But on the "BIS", as Dmitry Sinkovsky promised, he will definitely sing, enveloping the viewer with his magical conteenor.