Yu Voronov biography

Father is a trade union worker, during the Great Patriotic War he served in Kronstadt, then taught at the Leningrad trade union school, his mother - an accountant. During the blockade, six-grader V. It meant that, at the signal of air anxiety or artillery plaque, when 4 shells per minute crashed into the walls and streets of the city, it was necessary not to go down into the bomb shelter, but, on the contrary, to meet death to try to save someone from the survivors under the ruins.

And on November 25. Mother and grandmother were dug up at once-alive, and a 3-year-old brother and one and a half-month sister-only on the 5th day already dead. Together with his father, who got from Kronstadt, they dug up the blockage with his hands, since the emergency brigade was “recalled” on the third day - there was no longer hope. And “Muses were not silent” - there were classes in the literary studio at the Leningrad branch of the joint venture under the leadership of the Armed Forces.

Rozhdestvensky, there were poems, there were performances on the famous blocked radio. Voronov enters the journalism department of the Philology Faculty of Leningrad University, where he immediately becomes a recognized leader of youth - in educational audiences, in a scientific society, in the first student construction teams. Since March, the diploma will be awarded only in June, Voronov begins to work as the head of the department of student youth in the newspaper “Shift”, then - the responsible secretary of the newspaper.

The rapid and deserved climb of Voronov on the steps of the journalistic and party career begins: the deputy editor of Komsomolskaya Pravda is already in Moscow, with a member of the board of the Union of Journalists, the editor -in -chief of Komsomolskaya Pravda, C is the responsible secretary of the newspaper Pravda. All this breaks off at first glance unexpectedly.

As a result, the director was removed from his post. But this measure was given by an expensive price-high-ranking defenders fell on the newspaper and its editor-a meeting of the Secretariat of the Central Committee of the CPSU was held, at which an attempt was made to shield the director of the director, see the secretary of the government of the joint venture, edited the Literary Newspaper, and worked for some time the CCC CPSU department, and he was elected popular.

deputy. Voronov belongs to more performances in the periodical. Nevertheless, his main merit to people is poems. He began to write them early, long before the one from which he officially counted the beginning of his creative path. Already in the Leningrad newspaper "Wagon Builder" of November 13. Then he had not published verses for almost 20 years for almost 20 years - student newspapers, claiming that “O.

Bergholts and N. Tikhonov have already said everything. ” Only on May 7 the first selection appeared in Pravda, then a cycle of 12 poems called “Blockade Notes” in the magazine “Banner”, but when the first book of Voronov’s poems “Blockade” was published in the same way, and a little later - “Memory”, when Voronov’s blocked poems were collected together - they literally burned readers.

Voronov had his own perspective in the image of the Leningrad tragedy. This is not just another diary or memory. The poetic history of the Leningrad blockade, on which Voronov worked for 30 years, in its final version turned out to be insignificantly inscribed in the context of our time. Voronov heard the “praying cry of the earth” about salvation from the deadly atom and and not only the “military” - the poem “Hiroshima” was written literally on the eve of Chernobyl.

He also heard the “desperate cry of a deer bullet” as V. Astafyev, V. Rasputin, V. Vysotsky or destroyed by a scum for the construction of a personal garage of lilac in the Leningrad courtyard. He still found mental strength to regret not only people, but also a stone lion, to whom he “torn off a fragment”.

Need not a formal ritual, but a living feeling of what it is: “Hind. The descendants of the blockade should understand what people felt when “half-Leningrad did not rise on a festive salute”, when one after another the most relatives and friends died. Voronov has very good verses not only about the blockade - about love and friendship, about nature, about creativity. They are in a number of SB.

But these are just good verses. Poems of “memory” and “blockade” are a civil and moral feat. They forever stood next to the memorial at the Piskarevsky cemetery, the green belt of Glory, with the monument to the heroic defenders of the city on Moscow Prospekt - the lines of Voronov were carved there: “Oh, stones, be persistent like people! Indeed, there is a metalogical and autological poetry.

Voronov’s poetics formed in the system of the latter. But, in addition to graphic accuracy and severity, its verses have a huge inner intensity, almost incredible dramatic tension, rare emotional expressiveness. The moral strength and courage of the defenders of the city is expressive changing the dynamics of rhythm. Passing various shades of experiences and states of the lyrical hero, Voronov also uses different sizes of the verse - from the classic Russian iambic to verlibra.

He masterfully builds a lyrical plot - from impeccably accurately found details to the widest, sometimes almost cosmic generalization.Such, for example, is the poem "Ballad of Music." It begins with several emphasized prose details of the performances of the famous blockade orchestra “under the rumble of cannonade” in the darkened hall of the Philharmonic. The tragic realities of everyday life: the sleds on which the musicians brought through the icy city of Valtorna and the violin, a doctor sitting “just in case”, in the last row of the speakers, representatives, in the event of a bitter need for “possible replacement”, earflaces and coats on the old velvet of Bikbulatov’s chairs, were used by the materials of Prince.

Prose writers, poets, playwrights. Bio -bibliographic dictionary. Volume 1. Next, read:.