The biography of Ivanov Kramsky

He began to study at the Igumnov School of School in the School of Igumnov now, but under the impression of a visit to the year of the concert, Andres Sebovia in the Great Hall of the Moscow Conservatory, decided to devote himself to the guitar. For a year he studied at the Moscow Regional Music-Kaling School named after the October Revolution at the department of folk instruments for the special guitar of the guitar by Pyotr Spiridonovich Agafoshin a six-string guitar, at the same time studied the composition with Nikolai Rechmensky and conducting Konstantin Sarajov, then at P.

Agafoshin at the continuing courses of continuing qualification At the Moscow Conservatory. He played a huge role in the development of a six -string guitar in Russia. The photo from the personal archive of N. Perecheto from the site of the "Library of the guitarist" made a lot of solo, as well as with concerts, accompanied by a symphony orchestra, in an ensemble with singers and other performers N.

Obukhova, I. Kozlovsky, A. Yablochkin, L. Kogan, M. Rostropovich and others. He collaborated with quarters named after Beethoven and them. Committee, Taneyeva. He worked on the All -Union radio since the year. In the year, he received the 2nd Prize at the All-Union Competition of executors on folk instruments. In gg.

In years, he headed the Russian folk choir and orchestra of people's instruments of the All-Union radio. The author of more than five hundred works for guitar, sonata, shifts and processing. His guitar works, among which two concerts for guitar with the orchestra are very popular among guitarists. As a conductor and performer, he recorded more than 40 gramples.

The assembly of the GOSTRODIDODIDDAD is stored around A.'s records in its performance, the execution of I. Gummel, K. Weber, A. Diabelli, I. Albenis, E. Granados, E. Vila-Lobos, F. Sora, the transfers of the Sora A. Scarlatti, I. Bach, I. Brahms, F. Mendelssohn, A. Tchaikovsky, V. Shebalin, V. Shebalin, V. Shebalin, V. Shebalin, V. Shebalin, V. Shebalin, V. Shebalin, V. Shebalin.

Variations on the themes of A. Varlamov and J. Rossini, processing folk songs. As well as the cycle of I. Albenis "Spain" Record G. Paganini L. Kogan, the recording of G. Aksenov performed by the orchestra of the choir of the Russian song of the All -Union Radio under the direction of A. Ivanova-Kramsky recording of G. Pedagogical activity of A. Ivanov-Kramsky flowed at the Academic Music School at the Moscow Conservatory, where on his initiative in the year the class of the six-string guitar was opened, and where he headed the guitar class for a year, preparing a lot of talented musicians, including Nikolai Komolovov, Felix Akopov, Andrey Petrenko, Andrey Petrenko, Andrey Petrenko, Andrey Petrenko, Andrey Petrenko, Andrey.

Garin, Evgeny Larichev, Danial Nazarmatev, Natalia Ivanova-Kramskaya and other famous guitarists. Then he taught at the Institute of Culture. Alexander Mikhailovich Ivanov-Kramski was a prominent musical and unity figure, who gave all his forces to the propaganda of guitar art. After long years of oblivion, thanks to the outstanding performer and teacher, the guitar again gained the status of a professional concert instrument and began to be taught in medium and higher musical institutions of the country.

A. Ivanov-Kramsky died on April 11 in Minsk during a tour. He was buried in Moscow at the Vvedensky cemetery. In memory of the musician, the annual Moscow international-native festivals of guitar music named after A. Ivanova-Kramsky, his name is one of the children's music schools in Ivanov-Kramskaya N. Life devoted to the guitar: a memory of his father.

The memoirs of N. Ivanova-Kramska about his father. The book calls on the life of the master of the guitar, about the extraordinary of his artistic and human qualities and the tireless struggle for the life of the instrument. At the end, a list of the concert repertoire of A. Ivanov-Kramsky, reproductions of drawings and documentary photographs are placed. They often ask me how you did.

I remember that working on works, you always sought to understand the author’s plan and paid great attention to the sound. Tools and strings for a long time were imperfect, and you are used to working with what is. He did not like microphones, so he always achieved a bright and juicy sound. At the beginning of the hard day you lost, one after another, the sketches of Sora, Juliani, Aguado, Vila-Lobos, loved to work on variations on the theme of Mozart, Sora, Chanconette Mendelsson, often returned to Juliani, Vivaldi, Caucham, loved to improvise for a long time, "painting" the theme variations.

He perfectly owned the instrument, he often hit the orchestration of guitar works, bearing a new play, lived with images, enjoying the process of creation. I remember that I read during the work on the program, I dug for a long time in the library, and sometimes I drew all day. This was generally your favorite pastime. It reassured you-apparently the music sounded with the colors.

"Weisbord about A. Yakhontov" On the anniversary of the birth of the guitarist Alexander Ivanov-Kramsky. "