Biographies of jazzmen

Telegram as one of the most revered forms of musical art in America, Jazz laid the foundation for an entire industry, revealing the world the numerous names of brilliant composers, instrumentalists and vocalists and generating a wide range of genres. Jazz developed in the later years of the XIX century and at the beginning of the XX as a direction uniting a classic European and American sound with African folk motifs.

The songs were performed with a syncopted rhythm, giving impetus to the development of dixiland, and later the formation of large orchestras for its performance. Music has taken a big step forward from the time of rugtai to modern jazz. The influence of the West African musical culture is obvious in what music is written and how it is performed. Polyrhythmia, improvisation and syncoping - what characterizes jazz.

Over the past century, this style has changed under the influence of the contemporaries of the genre, who introduced their idea to the essence of improvisation. New directions began to appear-Bibop, Fuzhn, Latin American jazz, Free Jazz, Funk, Eisid Jazz, Hard-Bop, Smes-Dzhaz, Kul-Dzhaz and so on. We recommend: where to start playing jazz 15 art Tatum Art Tatum Art Tatum - one of their best jazz pianists and virtuoso, which was almost blind.

He is known as one of the greatest pianists of all time, who changed the role of piano in a jazz ensemble. Tatum turned to the Strude style to create his own unique game manner, adding a swing and fantastic improvisations to the rhythm. His attitude to jazz music in the root changed the meaning of the piano in jazz as a musical instrument compared to previous characteristics.

Tatum experimented with the harmony of the melody, influencing the structure of the chord and expanding it. All this characterized the Bibop style, which, as you know, will become popular ten years later, when the first notes in this genre appear. Critics also noted his impeccable technique of the game-Art Tatum was able to play the most complex passages with such ease and speed that it seemed that his fingers barely touch the black and white keys.

His personality itself, as an eccentric musician, contributed to the popularization of jazz. Monk, always dressed in a suit, hat and sunglasses, openly expressed his free attitude to the music of improvisation. He did not accept strict rules and formed his own approach to creating works. Monk style was built on the basis of an innovative approach to improvisation. His works are distinguished by shock passages and sharp pauses.

Quite often, right during his performances, he jumped up because of the piano and danced, while other Banders continued to play the melody. Teleonius Monk remains one of the most influential jazz musicians in the history of the genre. He developed a new musical style by uniting state-owned gospel, hard-bop, free jazz and classical music. Contemporaries called Mingus “the heir to Duke Ellington” for his fantastic ability to write works for small jazz ensembles.

In his compositions, all the participants in the team showed the skill of the game, each of which was also not just talented, but was characterized by a unique style of the game. Mingus carefully selected the musicians who made up his band. The legendary double bassist was loose, and once he even hit the thrombonist Jimmy Necper in his face, knocking him a tooth.

Mingus suffered from a depressive disorder, but was not ready to put up with this to somehow affect his creative activity. Despite this ailment, Charles Mingus is one of the most influential figures in the history of jazz. He combined swing, blues, funk and hard-box-this is a style that is heard today in every modern jazz composition. Together with Max Rouch and Kenny Clark, he invented a new way to perform a bibop on drums.

The style of Arta Blake changed the sound of jazz, becoming a new musical milestone. After the time spent in Cuba, upon returning to the United States, Gillespi was one of those musicians who actively promoted Afro-Kubinsky jazz. In addition to the inimitable performance on a characteristic curved pipe, Gillespi could be recognized by points in the horn frame and incredibly large cheeks during the game.

The great jazz improviser Dizzy Gillespi, just like Art Tatum, introduced an innovation in harmony. Remaining faithful Bibop throughout his career, Gillespi was remembered as one of the most influential jazz trumpeters. Find out where the nickname “Dizzy” came from - the nicknames of jazz musicians 10 max max max roach in the top ten of the 15 most influential jazz musicians in the history of the genre includes Max Rouch - one of the best jazz drummers, one of the pioneers of Bibop.

He, as only a few others, influenced the modern manner of playing at the shock installation. Roach was a civil rights fighter and, together with Oscar Brown Junior and Coleman Hawkins, even recorded the album of We Insist! Max Rouch is a representative of the impeccable style of the game, capable of performing a long solo throughout the concert.Absolutely any audience was delighted with his unsurpassed skill.

Billy Holide wrote only a few songs, but when she sang, she wrapped in her voice from the first notes. Its performance is deep, personal and even intimate. Her style and intonation are inspired by the sound of musical instruments that she had heard. Like almost all the musicians described above, this famous jazz singer became the creator of a new but already vocal style based on long musical phrases and the pace of their singing.

The famous Strange Fruit is the best not only in the career of Billy Holide, but throughout the history of jazz because of the penetrating performance of the singer. She was posthumously awarded prestigious awards and was introduced into the Grammi Glory Hall of Glory. Billy Holide's book in Shugar Hill shows the singer on the unexpected side of 8 John Coltrain John Coltrane “Holy Saxophonist” John Coltrain is associated with a virtuoso technique of the game, the excellent talent of the work of music and the passion for the knowledge of new faces of the genre.

On the threshold of the origins of the hard-bope, the saxophonist achieved tremendous success and became one of the most influential musicians in the history of the genre. Coltrane's music had a sharp sound, and he played with high intensity and dedication. He was capable of both playing alone and improvised in an ensemble, creating solo batches unthinkable duration.

Playing the tenor and sopra-saxophone, Coltrain knew how to create melodic compositions in the style of smasus jazz. John Coltrain is the author of a kind of “reloading of a bibop”, including modal harmony in him. Remaining the main active figure in the forefront, he was a very prolific composer and did not stop releasing discs, recording about 50 albums as a band of his career.

Over 50 years, Count Basie Orchestra, including incredibly popular musicians, such as Leicester Yang, Svits Edison, Baku Claithon and Joe Williams, earned a reputation as one of the most popular Big-bends of America. The holder of nine Grammy awards Count Basi instilled a love for the orchestral sound of more than one generation of listeners. Colleagues spoke of him as a tactful, modest and complete enthusiasm for man.

If you could not in the history of Jazz Big Band, County Basey, the era of the great jazz orchestras would have sounded differently and would probably not be as influential as it became at the same time with this outstanding band-leader. And we can be grateful for this, we can be Coleman Hawkins. The innovations that Hawkins brought were vital for the development of Bibop in the middle of the forties.

His contribution to the development of the popularity of this tool, perhaps, determined the future career of John Coltrane, Sonny Rollinz and Dexter Gordon. The composition of Body and Soul has become the standard of the game on the tenor saxophone for many saxophonists. His ability to extraordinary improvisations led to the disclosure of the new jazz sides of the genre, which were not affected by his contemporaries.

This partly explains why it was the tenor-saxophone that has become an integral part of the modern jazz ensemble.